MISTRESS OF THE TENTACLED OBLIVION: Give us a sense of a day (or week) in the life of Robert Silverberg in the pulp era. How did pulp writing fit into your everyday routine?I bow before Mr. Silverberg.
ROBERT SILVERBERG: Back in my pulp-mag days I worked from about 8:30 to noon, took an hour off for lunch, and worked again from one to three, for a work day of five and a half hours or so. I wrote 20 to 30 pages of copy in that time, doing it all first draft, so that I was able to produce a short story of 5000-7500 words in a single day. If I had 3000-worders to do, I usually wrote one before lunch and one after lunch. At three o'clock I poured myself a shot of rum or mixed a martini, put a record on, and sat down to relax until dinnertime, reading and perhaps sketching out the next day's work on a scrap of paper. This was the Tuesday-to-Friday routine. I never worked on Saturday or Sunday.
Hell--I kiss Mr. Silverberg's feet.
(via Raygun Revival)